Straight selvedges are one of the hardest things to accomplish as a new weaver. In fact, “How do you weave straight selvedges?” is probably one of the questions that I get most from my students.
Selvedges that pull in are on the top of the list of the most common mistakes that new weavers make. I talked about 4 of the other most common mistakes a few weeks ago. If you missed it, you can check it out HERE!
For those new to weaving, selvedges (sometimes spelled selvages) are the edges of your weaving that often pull in during the weaving process.
Unfortunately, no matter how hard you pull, if the sides of your weaving start to pull in – you can’t fix it without this.
Trust me, I have tried…
Why are my selvedges pulling in?
There are a few different reasons why your selvedges may be pulling in to create the classic trapezoid shape that weavers try to avoid.
First, if you are lost in the process (which is a great feeling!) then it becomes really easy to get caught up in the movement and rhythm of weaving and lose track of keeping those sides straight. If you get distracted by the world or even your own thoughts then your weaving will reflect it.
Another reason why your warp may start to warp is simply because you aren’t giving it enough slack. Unlike warp, you don’t want your weft to be as tight as it can be.
Sometimes uneven selvedges can really add to the weaving, but don’t forget the golden rule of art “Learn the rules first, so you can break them later”.
So how do you create nice smooth selvedges?
It all depends, but let’s go over some scenarios.
How to keep your selvedges straight
Scenario 1: Tapestry
You’ve heard of happy little trees, well we’re going to make happy little hills.
Or bubbles.
Whatever you want to call them is fine.
Due to the structure of a tapestry a.k.a. a weft-faced weaving, it is really important to use extra weft in each row. The weft has to flow around the warps instead of just moving them in order to get the classic weft-faced weaving that is tapestry.
Think of the weft as creating a tunnel and the warp is going through that tunnel. I also call these warp channels and they’re important for finishing your tapestry.
I digress.
The amount of hills is relative to both the width of the weaving and your own weaving style.
Everyone weaves differently.
The only right amount of hills is the one that gets you what you want. A.K.A. Straight selvedges.
Try out some different sizes and see what works best for you. Just be careful not to make mountains instead, too much extra weft is a different and totally avoidable issue.
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Scenario 2: Pattern or Balanced Weave
Unlike tapestry, a pattern or balanced weave doesn’t need a lot of extra wefts because it is not covering the warp completely. The weft will actually deflect the warp slightly.
That does not mean it doesn’t need any extra weft, though.
Unlike tapestry, we’re not weaving hills or bubbles.
Instead, I recommend placing your warp at a 45-degree angle before beating it down. No need to take out the protractor – just eyeball it.
Again, you don’t want to have too much weft – so experiment a little and find that Goldilocks amount.
On that note:
Too much weft can cause your weaving to be lumpy with loops of yarn on either the front or back.
Also, it can be tempting to try to fix your selvedges that are pulling in by overcompensating with your weft- but this just causes them to be even more uneven. You want to avoid creating loops on your selvedges as much as you want to avoid pulling in your warp.
Other selvedge weaving tricks
Whether you are weaving tapestry or balanced weave, one of the best things you can do to create straighter selvedges is to place your weft at the edge of your weaving.
You can do this 2 ways.
1. Pinch it.
In this method, you are pretty much just holding the warp in place while you compress the weft. Doing this makes it so the extra slack needed from the weft comes from the needle end and not the previous line of weaving.
2. Weave The First Inch.
What I normally do is weave and compress the first inch of each line before continuing with my hills or angled weft. Doing this keeps your selvedges right where you want them! It’s also easier to work with your weft in small increments at a time. Place your weft and then keep going.
With that being said, you don’t have to choose. You can take all of these tricks and combine them to give your weaving it’s best shot.
No matter what you do, one of the best things you can do is to pay attention to your weaving and not ignore your selvedges.
If your warp does start to warp – then un-weave it and start again. You’ll be happy you fixed it, even if it took a little time. Then try to remember the tricks above to keep it from happening again.
I know that trying to obtain straight selvedges can sometimes feel a little impossible – especially at the beginning. Like most things though, you WILL get better with time. If straight selvedges are what you are after then consistency and a little practice will get you there!
What is your favorite way to keep your selvedges from pulling in? Let me know!
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Hi, I see in the photo that your first row of twining is tied to the side of the loom. Is that solely to help keep the selvedges straight and do you just weave in the side pieces when the tapestry is complete? Thanks!
Hi! The yarn that is tied to the loom is actually a plain weave scaffolding used in 2 selvedge warping. Its purpose is to bring all of the warps onto the same plain and create a flat weaving surface and has nothing to do with keeping your selvadge straight. It gets taken out when you are done and is not an actual part of the weaving. I hope that helps!
This was really interesting to read. I’ve always been fascinated by the concept of weaving as someone else that enjoys fiber arts. I do cross stitch and crocheting, both of which have provided me with much needed down time whenever I’m stressing out or feeling overwhelmed. Especially with everything going on in the world right now! I keep debating giving weaving a try.
Weaving is really cool and relaxing. My son even does it.
It’s so relaxing! You can just get lost in the motion of it all. I love that it’s becoming a more popular fiber art. 🙂
I learned something new today that I did not know existed. This looks super cool and I would like to learn this as a hobby. Thanks for sharing 🙂