This can be a good thing – or a bad thing. I’m sure we have all had our share of unwanted knots that keep us from our weavings or other Fiber Art. If you are getting these knots because you are using yarn by itself with no shuttle or bobbin then you might want to consider making a butterfly to keep your yarn from knotting.
Otherwise, there are some useful weaving knots that you will actually WANT for setting up and finishing your weaving.
The most widely used knot in weaving and probably, in general, is the square knot. If you only know how to do one knot – this is the one!
You can use a square knot in many different ways when weaving.
I use it the most often when setting up a simple frame loom to attach my warp or scaffolding to the frame. A lot of weavers also use this to attach their warp to the apron bar on the floor loom – but I prefer the half bow for that (keep reading for that one.)
The square knot is strong and simple to do. It is hard to undo if it gets tight, though, so make sure you are ok with potentially cutting it off later.
How To Make A Square Knot:
You will want 2 open ends of yarn.
Step 1: Twist yarn 1 around and under yarn 2.
Step 2: Bring yarn back over yarn 2 and up.
Step 3: Bring yarn 2 over yarn 1.
Step 4: Yarn 2 goes around and under yarn 1 (through the loop that was created.)
The overhand knot is often used as a method to secure the fringe on the end of a scarf or rug.
Besides the square knot, this is probably the other most used knot on this list that you might use in other scenarios outside of weaving. While this one is very simple and well known – I figured it is still worth mentioning.
An overhand knot is useful in a lot of different scenarios – it is also how I tie the end of my grey thread when I am attaching it to a weaving and how I tie up my warp bundles at the back of my floor loom.
This knot also works well as a simple knot to secure fringe on a scarf or rug.
Step 1: Create a loop with the end of your yarn(s) with the open end on top.
Step 2: Bring the open end of the yarn(s) around to the back and through the loop.
Step 3: Pull tight.
Lark’s Head
The lark’s head knot is not really a knot as much as a way to fasten yarn to something.
It is notable as a common way to attach your yarn to a dowel rod when starting up a new macrame wall hanging. Two common ways that it can be used in weaving are for 4 selvedge weaving and on your frame loom.
When you set up a loom for 4 selvedge weaving – the lark’s head knot is used around the bar to attach it to the frame.
On a floor loom, this same knot is often used to attach the apron strings to the apron rod. It can also be used to attach the treadles to the lamms of certain floor looms.
You can do the same thing around any object. In this step-by-step, I have done it around a tree branch.
How To Make A Lark’s Head Knot:
You will want 1 piece of yarn and something to attach it to.
Step 1: Fold your piece of yarn in half and lay it underneath your dowel rod, stick, or whatever you are attaching it too with the loop end up.
Step 2: Bring the open end of the yarn up, around, and through the loop above the stick.
Step 3: Pull the yarn all the way through the loop and position where you want it.
The weaver’s knot is often used as a way to tie your new warp onto your existing warp.
This is a GREAT thing to do because it can cut down on your loom setup time.
If you are not a fan of the warping process and you already have some leftover warp/ loom waste still on your loom you can save yourself some time.
This is also a knot that you can use to attach 2 weft yarns together instead of dealing with tails.
That is not my preferred method, as a knot can be hard to hide – but it may be an option for you to try out. If you are using it for this technique then you will want to snip off the extra tails and trust the knot to do its job and hold it together.
Just like the lark’s head knot, the half bow is used in both the 4 selvedge and floor loom process.
On a 4 selvedge weaving, you can use the half bow on the other end of the yarn that is using the lark’s head around the rod. The half bow will instead be around the frame.
On a floor loom, using a half bow is my favorite way to attach my warp to the apron rod.
This “knot” is ideal for this because it is both really strong and easy to undo.
Unlike the square knot that is hard to untie – the half bow comes off the rod easily. It is also stronger than a full bow because the size of the yarn around the loop is smaller and therefore holds tighter.
How To Make a Half Bow:
Pt. 1
You will need at least 1 piece of yarn and something to attach it to. In this case, I am using a frame and 1 piece of yarn that has been folded to have 2 ends. Your yarn will most likely be attached to a rod at the other end whether on a floor loom or warping 4 selvedge.
Step 1: Lay the yarn over your frame or rod with both ends together.
Step 2: Next, bring your 2 ends around the frame and split them so there is one on each side.
Step 3: Bring 1 end over and around the other end (like the first step of the square knot.)
Step 4: Pull tight!
Pt. 2
Essentially, the second part of the half bow is just tying a bow (like you tie your shoes) and pulling out one of the loops.
Step 5: Create a loop with 1 end of the yarn.
Step 6: Wrap the other end of the yarn over and around the loop.
Step 7: Next, pull that same end through the other loop you created when you wrapped it around (this should now look like a bow.)
Step 8: Continue to pull that second end all the way through and tighten!
Knowing these weaving knots will help you out in a lot of different scenarios – both in and out of the studio!
Do you have a favorite weaving knot? One that I didn’t mention that you use all the time?
What is the worst thing that can happen while you are weaving?
Depending on who you ask, the answer may be “a broken warp”.
While this is not an ideal thing to have to deal with, it is not the end of the world! A small setback – yes, but something that is actually very easy to deal with once you know how to do it!
One of my favorite things about weaving is how easy it can be to fix any mistakes that you make and issues that come up.
Regardless of the type of loom you are using, your fixed warp will be just as simple to weave with as your previous warp was. You may end up having 2 extra tails to deal with when your weaving is off the loom, but in the grand scheme of things – this is doable.
I believe in you!
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Luckily, with a bit of forethought, a broken warp should not be a regular occurrence. Sometimes they do happen though and these are a few reasons why:
Getting twisted in your heddles – make sure to double-check your threading as you go. It is important to make sure your warp is going through the heddles straight or it adds stress on the yarn.
Too much friction in reed – if your warp is too thick or there is just too much stress on your yarn (selvedges pulling in a lot) then the reed may be putting friction on it.
Accidently cutting it when you mean to cut weft – oops!
Picked the wrong warp – Warp yarns should be strong! If you are trying to use yarns that do not meet the strength test then they will be more likely to break. While a broken warp here and there is not something to get too worried about – having yarn that is unsuitable for warp will make trying to weave with it an uphill battle. Do yourself a favor and do not choose yarn that is not strong enough for the job. Learn more about picking the right warp yarn here.
If you are not sure why your warp is breaking then try to see where it is breaking. This can help you determine the problem.
This method is best for when you do not have a lot woven. If you have already woven a lot then you can follow the instructions in the next section for the notched loom where we do not completely replace the warp.
The first thing you will want to do when you have a broken warp is to tie off the top of the warp yarn to the frame to keep your tension even. This is important because your warp is one continuous piece of yarn. A simple square knot will be fine for this.
Cut a piece of yarn to be your replacement warp. This warp yarn will need to be longer than the height of your weaving so that you have enough yarn to tie it to the frame. The amount extra will depend on the frame you are using and how much yarn you personally need to tie a knot.
Next: tie this new warp yarn to the bottom of the frame in the same spot as the broken warp.
Then with your tapestry needle, follow the warp channel (include your scaffolding with this) and up through your weaving. Be careful not to pierce the weft yarns on the front or the back of your weaving!
Take this new warp yarn and tie it to the top of your frame, again make sure to go through your scaffolding. This will be next to your original tied warp.
Once your new warp is in place you can remove the old warp from your weaving and tie it to the bottom of your frame. This will keep the tension of your weaving.
Done! Keep weaving like nothing ever happened.
Fixing a broken warp on a notched frame loom
What you need: extra warp yarn
Fixing a broken warp yarn on a notched frame loom is essentially the exact same as fixing a broken warp yarn on a simple frame loom. This is because neither one of them has an advancing warp. These smaller weavings are easier to fix because you can just tie a new warp yarn onto your frame in place of the broken one.
The same options also apply. If your woven area is small then I recommend a full replacement, and if your woven area is large then your broken warp yarn should stay in place with the new warp yarn overlapping and taking over for the rest of the weaving.
The size of the woven area in these photos is small enough that I could have done a full replacement, but I opted for an overlapped warp for the sake of this post.
If you are overlapping your warp then instead of weaving up the entire warp channel, you would instead weave into your scaffolding and then float the warp on the back of the weaving until a few inches below the top of your woven area. Then weave up the remaining few inches of your warp channel and tie your new warp to the top of the loom.
This is much simpler than trying to weave up the warp channel of a large weaving but it still anchors the warp in place for easy weaving.
Your old warp yarn will stay in place and your new warp yarn will overlap it by a few wefts. The friction of the weft on the broken warp will keep the tension intact for the remainder of the weaving.
The pictures show the warp floating on the front of the weaving because it is easier to fix this way, but you will want to push these tails to the back of the weaving when you are finishing it. This will make it look cleaner.
Once the weaving is finished and off the loom you can weave the broken warp and the new warp back into the weaving. Pull the new warp from the scaffolding to free it to be woven in. This is done in the same way as you would weave in your weft tails.
Fixing a broken warp on a rigid heddle and floor loom
What you need: extra warp yarn, t-pins, weights, something to hold your extra warp
Fixing a broken warp on a rigid heddle loom and a floor loom (and also a table loom!) is basically the same because the warp mechanics are very similar.
The biggest difference will be in the weights and types of weights you will be able to use since floor looms are much taller than their rigid heddle and table counterparts. It is possible you can use similar weights, but you will have to play around with the right options to maintain the right tension on your warp.
The first thing you need to do for a broken warp on an advancing warp loom is to measure out a new warp yarn to replace the broken one. I always like to make notes on my weavings for occasions like these. That way I know exactly how long my replacement warp yarn should be.
Take this warp over to your loom and tie a small square knot at one end.
Insert your t-pin into this knot and insert your t-pin into your weaving a few inches below where your woven area has stopped. Be careful when inserting your t-pin into your weaving that you do not pierce your weaving. Also, I recommend putting the tip of the pin toward the back of your weaving so you do not pierce yourself…
Next, you will re-sley your reed or your rigid heddle with your new warp yarn. If using a floor or table loom you will need to also re-thread your heddle.
The remainder of your yarn can be wrapped around a weight and left to hang from the back of your weaving.
If you have old film canisters or pill bottles these work really well to contain the remainder of your warp so it is not dragging on the ground.
The weight that you choose will depend on the amount of tension that you need. Fishing weights are really good options because they are small and heavy, but you can use anything that is easy to get your hands on!
You will need to let out the extra warp as you keep weaving and moving your warp forward. Just think of this as a way to make sure you get up and stretch occasionally!
Your new warp will weave in seamlessly and beyond letting out some warp from the weight occasionally, your weaving experience will be the same.
Once your weaving is finished you can take it off your loom as usual.
To start your finishing process: remove your t-pin or straight pin and untie your square knot. You will finish this the same way as any other broken warp. Weave in your broken and new warp up and down the warp channels. It is ok if your new warp tail is on the shorter side, weave it in anyway. It will be overlapping your old warp so everything should stay in place.
This works even if you have a balanced weaving and you can see the warps. I have circled where the warps overlap in the picture below.
When a warp breaks it can be easy to stress out and get discouraged. Luckily, if you follow any of the steps above then it should not be any more than a few minutes of extra time added to your weaving!
I love to deep dive into different equipment that you can use in your weaving studio because there is so. much. out. there! No matter what equipment you are buying (or making!) there will be different options that you have to choose from and sometimes it’s hard to know what the best option is for you.
Today we are talking about weaving yarn holders – what types you should use, when to use them, and how to make your own!
First, though, while you can definitely get away with not having yarn holders at all (I did it for years!) not having one means that your yarn may be rolling around your floor collecting dust or just generally getting as far away from you as possible. Using a yarn holder makes life and weaving a bit easier.
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Weaving yarn holders come in different shapes, sizes, and can hold different amounts of types of yarn.
For the most part when you think about a holder for your weaving yarn, you are looking for something that can hold a cone or tube of yarn in place while your are moving the yarn from the cone to somewhere else. That being said, weaving with knitting and crochet yarn can also be a great way to expand your weaving possibilities and this yarn may require a different type of holder.
The stick yarn holder
This type of weaving yarn holder is the most common type that you will find when looking for an option for your weaving yarn. At its simplest, this holder is just a dowel rod that sits upright in a base. That is it! This is an option that is easily made if you have a few tools on hand and just a little bit of time.
Don’t worry! I will go over that further down in the post.
This type of yarn holder can be either singular or can have multiple rods to hold multiple cones at a time. The multiple cone option can be really great if you want to warp multiple warps at the same time or if you are sharing a holder with someone else in a studio. We do that a lot in my classes.
Some of them might also have another part to it that helps to direct the yarn a bit more by threading your yarn through an eye (like this one here.) This can be a great option if you can’t have your yarn holder close to you when you are warping. This will help keep things clean and tangle-free.
Another option is the horizontal yarn holder that works best for yarns that can be found on tubes as they tend to be smaller.
Choosing between vertical and horizontal yarn holders is mostly a matter of type of yarns you use and personal preference. If you only ever weave with smaller yarns, then this one is really great because it has different spots for multiple yarns plus areas to store smaller tubes or even thread.
Regardless of whether you choose vertical or horizontal, ideally your yarn holder will have a bit of weight to it so it’s not sliding around while you use it. Otherwise, you might as well just put your yarn on the floor!
When you are using yarn that comes from a ball or cake then you can usually use the stick yarn holder but you also have the option of using a yarn bowl. These bowls are basically just like any bowl you would use in your kitchen but they have a hole or a spiral slot to thread your yarn through. This keeps the yarn from jumping out of the bowl. You can usually find these in either wood or ceramic and can sometimes even come in cute designs!
This type of holder would most likely not work for any sort of cone or tube unless it was small enough to fit in the bowl. I still would not recommend using a yarn bowl for cones or tubes, though, since it wouldn’t move as smoothly.
If you are working exclusively from yarn balls then you could really choose whichever option appeals to you the most since they will work on either option. If you are working from both forms of yarn or just weaving yarns then I would recommend the stick option.
Unlike some of the other weaving equipment we have talked about on Warped Fibers, the yarn holder is a tool used for the prep part of the weaving process and not the actual weaving part itself.
If you are interested in other weaving tool guides you can check these out:
Regardless of whether you are direct or indirect warping, you will need to find a place to house your yarn while it is going from the cone to its next destination.
Don’t forget, if you do not have a yarn holder then your yarn may start rolling across your studio (this has happened to me SO MANY TIMES) and either getting away from you so you have to chase it and/ or collecting some of the dust bunnies that may live around your loom…
Another one of the big circumstances where you would want to use a weaving yarn holder is when you are winding your shuttles. For pretty much the same reason that you would want to use one while warping, having a tool to keep your yarn in place while your wind it onto your shuttle can be incredibly helpful and help keep your frustration down.
Previously we talked about the fact that the stick yarn holder is basically just a dowel rod and a base and this means that it is pretty simple to make your own, if that’s your jam!
To create your own yarn holder you will need:
A dowel rod (I’m using 3/8 inch)
Hand saw
Drill and drill bit (drill bit the same size as your dowel rod)
Choosing the size for your dowel rod can be decided by trying out a few options with the yarn you currently have. You do not want to choose a dowel rod that is too thin because then it won’t have the strength that it needs to withstand any pull on it, but you don’t want it too thick that you can actually have it house your yarn cones or tubes.
For my holder I am using a size 3/8 inch dowel rod cut down to 10 inches with my hand saw. I also recommend sanding down the end of your dowel rod to make it nice and smooth for your yarn and yourself.
I took everything outside to drill the hole so it would require less clean up. A 3/8 inch hole is pretty big so it could make a large mess. Keep that in mind.
With your drill you will drill a hole into the center of your wood base either all the way through or about 3/4. I opted for 3/4 just so I didn’t accidentally drill into my deck railing, but you can do whatever works best for you.
Your dowel rod will fit snugly into the hole you just drilled! You can glue it if you never plan to take this apart or you can keep it unglued if you want to be able to store it more easily.
That’s it!
How to make your own yarn bowl
If you have access to a clay or wood studio you could make a really nice yarn bowl, but we are going a little more low tech for this option.
If you are using the paper clip then grab any bowl that you have that will easily hold your yarn ball and tape your paperclip to the inside with your masking tape. Make sure that there is enough of the paper clip about the rim of your bowl for your yarn to go through.
Using the clip is even easier because all you have to do is clip it on to your bowl and thread your yarn through the top openings.
This is probably as easy as it gets.
While using a yarn holder of any type is not a necessity for your weaving process, it can be a helpful tool to create a smoother and less frustrating weaving experience. There are many different types that you can choose from, but all of them should help you out and make your life just a little bit easier.
That being said, some looms will help you to weave faster than others and for those that are a little more manual, we can “upgrade” them easily enough to work a little more for you!
This upgrade is a heddle rod and is perfect for simple frame looms and rigid heddle looms to expand the ease and speed of your weaving for different patterns.
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Manual vs assisted weaving
When you think of weaving, at least at the core of what it is, you may think of over, under, over, under. This is how you manually weave plain weave.
Manual weaving is when you physically move your weft yarn over and under your warp yarns with a tapestry needle, bobbin, or something similar. This method is usually the least expensive method because it does not require a “fancy” loom but also usually the slowest since it requires you to weave o ver individual warps at a time. It also means you are responsible for keeping your pattern as you do.
Manual weaving requires you to keep track of your pattern on a warp by warp basis, which may not be a big feat, but it may require some extra thinking. That being said, it also allows you to switch up your weaving pattern at any time with no extra steps. This is a fun experiment if you are looking for something a little different.
What I am calling assisted weaving is weaving with any sort of shed system. As a reminder your shed is the opening that is created as your warps are moved up and/or down. This opening is where you can slide your tapestry needle, shuttle, bobbin, etc. This can be a big advantage because it allows you to interact with your warps as a whole instead of individually. This is both faster and doesn’t require you to keep track of your pattern warp by warp.
Keep in mind you still have to keep track of your pattern pick by pick, but it is still faster.
Why you would use heddle rods
While I have made no secret of my love of weaving on a simple frame loom, I also can not deny that having some weaving assistance is nice! Depending on what you are weaving and how much time you have to weave it, this assistance might also be necessary.
While you can always purchase a loom with a built in shed system, you may prefer a simple frame loom or it may be all you have. When this is the case, you are not out of luck because that is when heddle rods come into play.
Heddle rods are incredibly handy when you are weaving a pattern other than plain weave on a simple frame loom. They may take some extra time to set up, but they will save you a lot of time in the long run. Each heddle rod functions the same way as a harness on a floor loom.
If the pattern is really complicated this also helps cut down on the mistakes that may come up with the pattern.
Heddle rods do not only need to be used on simple frame looms, though. They can also be really helpful when weaving pick up on rigid heddle (like the image above), or just creating a second heddle when your rigid heddle loom does not have the set up for a second heddle (like the Schacht Cricket Rigid Heddle Loom.)
How to set up heddle rods
When setting up a heddle rod all you need is a sturdy yarn (scrap yarn if you have it), dowel rods (you could also use chopsticks, pencils, etc.), scissors, and tape (I like washi tape because it is easy to remove and can easily be color coded!) You may also want a guide, but I will get to that in a minute.
If you are using dowel rods then you will want to make sure they are wider than your weaving by at least an inch if it is a small weaving or more if it is larger. This will make sure that your loops stay on the rod and you can easily pick it up. I cut a long dowel rod I already head on hand with a small hand saw for this, but use what you have.
The general idea of a heddle rod is that it is connected by loops of yarn to all of the warps that you want to lift up for your pattern. Starting off with plain weave, this means that you will have a loop of yarn around every other warp yarn on one heddle rod and a loop around the other warp yarns on a second heddle rod.
It is important to make sure that all of your heddle loops are the same length so that your heddle rod works efficiently and is not wonky. One of the best ways to do that is by using a simple guide for cutting your loops. I like to use my EPI mini loom for this, but you can use anything that is the right size and rigid. Cardboard cut to the right size makes a really great guide too.
Wrap your yarn around and around your guide as many times as you need and then cut them all in the same place to create multiple loops of the same length. You also will need to make sure to tie your knots in the same place. I am using a simple overhand knot for these.
Take your first loop, fold it in half, and bring it around the warp that needs to be pulled up. Put your dowel rod through the two ends of the loop. Continue doing this for every warp in your pattern and then put tape on the first and last loop to keep them from sliding off.
If using washi tape you can use different colors to mark the different parts of the pattern or you can number them. Whatever works best for you.
For patterns other than plain weave you may need to loop your yarn around multiple adjacent warps at a time (You can see this in the rigid heddle image at the beginning of the post.) Keep this in mind when you are cutting your loops and make them a little longer if needed.
If your pattern is complicated it may help you to draw out your pattern on graph paper to follow while setting up your heddle rods. This way you can also mark off parts of the pattern as you go making it easier to not miss parts or duplicate them.
Continue this same process for every line of your pattern. For the plain weave pattern I am following in this post, I will have 2 heddle rods total.
Using a heddle rod
When it is time to weave with your heddle rods you will also need a pick up stick, ruler, stick shuttle, or another long flat object to keep your shed open. Just make sure whatever you use isn’t too sharp on the edges so you don’t fray your warp! For this reason I usually stay clear of metal rulers and opt for wooden options.
To create your shed you will want to pull up on the correct heddle rod until it creates a large opening. Slide the heddle stick into this shed and flip it up so that it holds the shed open for you to slide in your weft! Once your weft is positioned you can slide out your stick or flip it back down and use it to beat your weft into place.
Move onto the next heddle rod in the sequence and do the same thing!
Using a heddle rod is a great way to expand your weaving options and make weaving complicated patterns on simple looms easier! While they take a little extra time to set up, the time they could save you during your weaving will most definitely make up for it.
That being said, it might be worth it to weigh whether or not creating heddle rods for a small weaving is worth it. Try it out and decide what works best for you!
Unless you were tie your warp onto your loom one warp at a time (not recommended…) you will end up with bundles at the beginning of your weaving. These bundles serve the purpose of attaching your warp to your loom, but they also make it so the spacing at the beginning of your weaving is off!
This is where weaving headers come in!
What are weaving headers?
Weaving headers play a really important part in setting up your loom and starting a successful weaving.
No matter what way you warp your loom (front to back, back to front, direct, or indirect) you will need to tie your warp onto the front of your loom and space it out to create a perfect starting point.
When you are ready to start your weaving you will be looking for a flat plane of evenly spaced warp with straight selvedges. This is because you will want to start your weaving off the same way you want it to continue throughout the entire weaving process. Have you ever heard the saying “set yourself up for success”? This is a perfect example of that.
To get that perfect starting point you will need to use a header at the beginning of your weaving!
You can think of a header as sort of a “pre-weaving” because it is woven in your same pattern before you start your actual weaving to get your warps evenly spaced quicker than if you were to use up your regular yarn.
Different weavers may use different things for their headers depending on what their preference is or what they currently have on hand.
Regardless of what you choose you can opt to either use short or long strips. Longer strips will require you to have a more continuous header which can be slightly easier to weave up (just make sure not to pull too tight!)
Shorter headers will mean inserting a new piece in each shed, but they may be easier to remove in the end.
I usually do a mid range so that I can reuse them more often. If I keep longer ones than they will work for more weavings than if I only have shorter header pieces.
Some options for your weaving header are:
Fabric
Using fabric strips as a header is a really great way to get your warp evened out sooner because thicker fabric has a greater effect on the spacing. You might think you should just use the thickest fabric you can find then, but it does eventually have diminishing returns.
I am a big fan of the fabric header and I usually stick with a fabric strip of about 1.5 to 2 inches wide. I also just use scrap fabric that I have left over from other things so that I am not cutting up virgin fabric for something that is ultimately not a part of the finished piece.
Most of my weavings use an EPI of 6 -12 and this size works well for me. You might need to change it up if your EPI is different, so keep in mind there may be some experimentation involved!
When I do not have any fabric strips available then I will usually use yarn that is thicker than my yarn that I am weaving with. Most often this is some chunky knitting yarn that I have sitting around in the studio, but any chunky yarn should do well.
You could also use a thinner yarn doubled over to make it weave thicker (you can see this in the first image of the post with the blue yarn). This is a really good use for scrap yarn that you have leftover from other weaving projects. For example, I have a scrap box of yarn from loom waste etc. that I keep for reasons just like this!
Never thought I would be talking about toilet paper here on Warped Fibers, but here we are.
While I have never used toilet paper myself as a weaving header, I have heard of other weavers using this as their preferred choice. If you do not have the fabric or yarn to use then this is something I imagine you have in your house that will be easy for you to use.
A possible pro of using toilet paper is the ease in which you can remove it when your weaving is finished. Unfortunately, the toilet paper may not be as reusable as the other methods, though, so if you are looking for more sustainable options I would go with the other 2.
Getting the most out of your header
Your weaving header is doing a lot of work to get your weaving ready to go and set up for success. That being said, there are other things that you can do to make them even more successful and faster.
This can be really important because your header is taking up real estate on your warp but it is not a part of the finished piece. A large header will use up more of your loom waste and if it is too big then it may even eat into your weaving space!
If this happens then, at best, you will be wasting some yarn and, at worst, you will not have enough room to finish your planned weaving project!
Smaller bundles (find your goldilocks)
When you are tying your warp onto your front apron rod you will be doing so in bundles. First, I always tie my warp on with a half-bow because it is easy to undo but is also just as strong as a double-knot.
Like a lot of things in weaving when you tie your warp onto your loom there is a goldilocks sized bundle that you will want to strive for. This size will change depending on your EPI and size of your yarn.
Essentially, you are looking for bundles that are small enough that they space evenly without adding too much header while not being so small that they are frustrating to tie and untie.
All bundles will produce some space between them when they are tied onto your apron rod. Larger spaces will take more header to close up than smaller spaces. Remember: the more header you need the more loom waste you need to account for.
My most used sized bundles include about 6 – 8 warps per bundle, but yours may be different due to your EPI, total warp ends, and personal preference. I usually like tie my bundles in even numbers that divide into my total warp ends. This is because that way they will all be the same size and will tie up simply.
Play around with different bundle sizes to find your goldilocks size. Unless you are changing up the types of weavings that you are creating often, you probably will not have to experiment constantly with different bundles and instead use the same size more often than not!
Weave 2 beat 1
One trick that I love to teach my students when they are warping their looms is to weave 2 beat 1.
This means that I want you to weave 2 picks and then beat your header into place instead of the normal weave 1 beat 1.
This works well because having 2 full picks in place before beating your header will add a bit of extra friction to the warp and make it even out faster than if you were to weave it in normally.
The images above show the progression of your warp with a thick yarn header beaten 2 picks at a time from bundles to evenly spaced in only 3 steps!
Since your header is not a part of your finished weaving it will need to be removed during your finishing process. Depending on the material you used this could vary a bit, but generally you have 2 options for removing your header from your warp once it is off the loom.
A quick note before we get into that though: another advantage of your header is that it functions as a way to keep your weaving in place once it is no longer under tension before you finish off your warp!
This is great for if you did not do a hemstitch on that end of your weaving. I have traveled with a weaving in my bag that was unfinished – just the header at one end – many times without worrying about it unweaving. So keep it in place until you are ready for your finishing!
Regardless of what you are weaving, every weaver should own at least a few tapestry needles. They are great for weaving in your tails on balanced woven projects and for helping you to remove your header without disturbing your finished weaving.
While you can, of course, also use your fingers to do this, I have found the dull point of the tapestry needle does a better job at moving only the header and not the weft once I get up to the weaving.
To do this: lay your weaving flat on a table with the header towards you. Use the blunt end of your tapestry needle to gently tug your header out of your warp one pick at a time. If you try to do multiple picks at a time then your warp could get a bit tangled.
Removing your header this way is perfect for when you want to reuse it for later projects.
If you can not be bothered to slowly take the header out with your tapestry needle and you don’t care about reusing your header then you can cut it out! Just be careful not to accidentally cut your weaving in this process.
You can cut your header in a few different spots along your weaving and it should easily come out without much hassle. Shorter pieces should not get tangled if you tug them out.
Regardless of what you choose for your header and how you opt to remove it, the importance of using one is something I cannot say enough! Just find out what works best for you and use that.
Do you use something other than what I mentioned for your weaving header? Let me know!
So I think it is time to start on another handwoven fabric project!
This time?
We are making a handwoven bag to sit at your loom or to carry around your supplies.
The difference is in the size.
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Weaving the fabric
Yardage for this weaving project can be done on any loom that has an advancing warp.
A loom with an advancing warp is a loom that allows you to have a long warp that will roll upon itself and make way for more weaving! Floor looms, table looms, and rigid heddle looms are all examples of looms with advancing warps.
For this project I will be using a rigid heddle loom for no reason other than that is what I have available at the moment. You can use whatever loom you want!
I will also be recycling a pattern from a scarf pattern posted on the community page because I think it would make a great bag, but you can use any pattern you want.
If you want access to this pattern then make sure to become a member of the Warped Community. It is free and you get access to patterns, ebooks, course discounts, and more! You can sign up from my form above!
If you are using a rigid heddle loom then the pattern you choose will probably be plain weave.
Plain weave is also a great option for any bag that will be getting a lot of use. You will want to avoid using weaving patterns with a lot of floats because they will be more likely to get snagged onto things while the bag is in use.
As far as yarn goes, I am using Gist Mallo yarn in the colors Frost and Spice. This is a really sturdy cotton slub yarn that is perfect for this project. Slub yarn is always one of my favorites because visually it adds something extra to even just single colored areas of your weaving.
The size of your bag will depend on what you want to use it for and/or what size loom you have available to you. The great thing about making your own bag is that if you are wanting it for something specific then you have the option to tailor it exactly to that need!
Say you want a bag to be able to carry around your frame loom.
Perfect!
Measure your frame loom to get a rough idea of the size that you will need. Do not forget that you will probably want to make it a bit bigger to make sure it slides in and out easily, plus have room for extras like yarn, tapestry needles, and more.
If you are creating a bag for something that is larger than the weavable area of your loom then keep in mind that you can always sew panels of woven yardage together.
This, obviously, will change the look of your bag, but you can embrace and plan it if you are aware of the fact going into your project.
Since I am weaving a bag for my loom bench I measured the depth of my bench to get the parameters for my bag.
My loom bench has a depth of 9 inches.
I added an extra inch to my weaving to account for sewing seams so that the width of my weaving will be 10 inches.
For the depth of the bag, I decided to go for a depth of 11 inches, which is just over half the length of my longest flat shuttles. Again, I want to make sure there is enough for sewing seams so I will add an extra inch to my yardage length as well.
This means that the woven yardage will be 12″x10″.
Cutting your pattern pieces
If you have not already read through my post on how to sew your handwoven fabric then I recommend doing that before continuing with this project. We will be using the same interfacing that we used for our loom bench cushion to keep our woven fabric together as we cut into it and sew it up.
So make sure to attach your interfacing before you do anything else!
Once that is done, lay out your fabric and begin figuring out the pattern pieces.
Since we are doing a simple bag, everything is at 90-degree angles. This means you will not need to print out any special patterns to make this work – just use a tape measure!
You will also need the back of the bag – this will be the same size as the woven fabric and the inside fabric. The fabric for the inside of the bag will be almost the same width, just a half inch narrower. This will make everything match up better once we insert it. You will also need 2 of them that we will sew together.
While I am using a neutral muslin for the back and inside of my bag, you can have the entire outside of your back be woven if you want. Since my bag will live at my loom, this seemed unnecessary to hide handwoven fabric where you will barely see it.
Overall we will have:
handwoven fabric = 12″x10″
Back fabric = 12″x10″
Inside fabric = 2 panels 12″x9.5″
Fabric strap = 12 inches
Putting your handwoven bag together
The first thing we will need to do is put together the inner liner of the bag.
If your fabric has a right and a wrong side then make sure to put the right sides together before sewing. Then sew around the outside of the fabric on 3 sides – leaving one of the short sides open.
This will be the opening at the top of the bag.
I used a zig-zag stitch for this to make sure it is extra secure. A straight stitch can also work, though.
You may also notice I used a bright blue thread. I did this mostly so you could see the stitching on the fabric. You will not be able to see the blue in the finished project, though – so it works out! Feel free to use a neutral-colored thread or one that matches your colors for this instead.
Leave this part of your bag as-is! Do not turn it inside out.
Next, you will need to sew the front and back of your bag together. You should probably not use a crazy-colored thread for this one.
When sewing the outside of your bag you will need to put the right sides of your fabric together and sew around the same three sides.
Turn this part of your bag outside in when you are finished,
Fold down the top half-inch of both parts of your bag. The outside of the bag will be folded in and the inside of the bag will be folded out.
Do not forget to iron your edges to make sure your folds are nice and crisp!
Place your liner inside your outer bag and make sure that your side seams match up. Matching your seams first will make lining up the rest of your bag a lot easier. Insert pins around the bag to keep everything in place before you sew it up.
If you are adding your straps to the inside of your bag then this is the time to do it.
I am using this twill tape ribbon for my straps. In hindsight, I wish I had purchased a slightly wider ribbon for this, but the 3/8″ works fine. That is just a visual preference. You can find twill tape in many different widths and colors.
Insert your strap between the liner and the outside of your bag. Use a pin to keep it in place and this pin will also work to hold the 2 parts of the bag together.
Before you bring your bag to your machine, I recommend trying it out with the pins in it.
If you are using it for a frame loom then make sure the loom fits and the straps are the right lengths for what you want.
If you are using it on your bench then make sure it hangs as you want it to. This will allow you to make any necessary changes before you start sewing.
If you have a color thread that matches the colors of your bag then you can use that to do the final touches. If not you can probably get away with a neutral grey thread.
Sew around the top edge of your bag with a straight stitch. I recommend backstitching over your straps while you have it on your sewing machine. This will give it a little extra staying power in case you store heavy tools in your bag!
Make sure to snip any loose threads and you are good to go!
What will you be using your woven bag for? Let me know!
